But the new criticism, the criticism that is largely coming from black and brown and Asian and Muslim and gay and trans and feminist circles and even more besides, doesn’t have an established place in comics yet. The culture is not used to it. The culture doesn’t know how to react to it, because it often comes from a deeply personal place and is accompanied by emotion instead of rote facts about first appearances and career milestones. The result is a constant diminishing of the concerns of the essayist and mocking of their context.
We talk about outrage culture and never stop to ask ourselves why someone saying “This hurt me, here’s why” is offensive, but a white man creating a comic where women are raped and non-whites are racially stereotyped is not. We scream “Free speech!” in the face of people who say “This is messed up.” We never examine why someone is angry before dismissing them for their anger. We demand perfection and eloquence from someone who has just been confronted with the unbridled contempt someone else has for them and everything they represent.
-Zainab Akhtar on offense.