This inability of rich, usually white, usually straight men to see that there are stories beyond their own has been at the center of the #MeToo movement more broadly. Rather than seeing the world as a series of interlocking tales that occasionally feature them in a major role but mostly feature them as extras (if at all), they are primed to see it as a series of stories about them, moving forward through their lives, attaining their goals, crushing those who would oppose them. #MeToo has complicated that narrative for at least some men, but one needs only to read news reports of Louis C.K.’s comeback standup sets to understand that many of these figures will come to see the revelation of their misconduct as a minor adversity to overcome, not something that shattered their entire lives.

Straight white men in America are taught that they are the protagonist of the story from birth.

  Todd VanDerWerff on protagonists.

Content warning at the link, which deals with misogyny and sexual assault in real life and in media.

Also this, incidentally, is why I don’t write books about white boys…