It’s not fun to talk about this. Writers are supposed to be eternally confident, never exposing weakness. Every book is spoken of only for its successes. The writer’s life is glamour and marvels, fancy cocktail parties in the Big City. I’ve been very lucky in my career so far […b]ut even with that luck and assistance, that glamorous version of the Writer’s Life isn’t the experience that I’ve had. And maintaining that illusion of Writer’s Career As Eternal Awesomeness At All Times obscures the hard realities of trying to build a career as a commercial fiction writer. Even very successful writers face challenges, doubts, and setbacks. I’ve gotten much stronger as a writer with each book I write, but there are more amazing SF/F books out there than any one person could ever hope to read, and competition is fierce. […]

I’m very glad that more and more writers are throwing back the curtain and talking candidly about their careers and about the challenges writers face, commercially and creatively. Every writer that banishes the illusions makes it easier for other writers to do so, and makes it easier for new writers to come into the field with a better understanding of the realities we face.

Michael R. Underwood on write to life.

The industry’s facade of success is definitely a real thing and it’s definitely a real thing that is advantageous to publishers and at the expense of writers. In theory I have a boatload more to say about this topic but in practice I probably won’t–at least not in any single coherent fashion. But do go read Michael’s full post, because he does put voice to things I think a lot of things that lurk beneath the surface (as it were)…