Definitely keep watching…
So anyway if nothing else last night’s Hugo Award ceremony is pretty much the last nail in the coffin for the relevance of so-called “old guard” science fiction and fantasy. CoNZealand can issue all the mealy mouthed apologies they want but when it comes down to it they were still the ones who booked Martin full-well knowing the guy has a long, long, long history of chauvinist community exclusionism.1 Everything that happened last night—and I do mean everything—was blindingly obvious from a thousand paces.
Oh but, yanno. Marin is Famous™. And if nothing else Worldcon can always be counted on to kiss the asses of anyone it feels may bring it even the teensiest, tiniest bit of cultural relevance to its table.
Incidentally, the rough estimate is that there are about one thousand people that regularly attend Worldcons. One. Thousand. When it’s held in larger cities, i.e. with populations in the millions, it scrapes up into the higher four digits.
I live in a city of about 300,000 people. Our local annual media convention got around 5,000 attendees the last time it was run. It’s considered tiny for its type.
When Worldcons are held in similarly sized cities they struggle to get numbers in the hundreds.
And to be super clear about this: this is by design. It’s an open secret that there are people associated with Worldcon that want to keep it small and cliquish and closed to outsiders—by which yes you may absolutely read “anyone not a white American man”, give or take a degree or two—and they want to do that while simultaneously wanting it to be seen as the “premiere” driving force in science fiction and fantasy. It’s all the kids who were2 laughed at and spat on at school stomping off to make their own Cool Kids’ Club so that for once they can be the biggest fish in the smallest pond and shove all the even nerdier losers into lockers.
Is it any wonder, then, this long, slow, wheezing stumble into irrelevance?
And, to be clear, I do think think there’s something salvageable there. The Hugo Awards themselves are evidence of that; evidence of a growing diversity and a youthful energy. So is the anger things like last night provoke. But nothing is going to change, not really, when the next two years’ of Worldcons have snapped back, rubber-band-like, to the comfortable mediocrity of being hosted in the United States, and nothing is going to happen when guests of honor continue to be all white and awards hosts can’t even be bothered to learn to pronounce people’s names in prerecorded video.
And I’m just so fucking tired.
- However he isn’t, at least to my knowledge, a “missing stair“, as they say, which makes him the “non contentious” choice to represent the Famous Old White Men of SFF. Yes, we really, really are at the point where “doesn’t sexually harass, assault, and/or creep on attendees” is the fucking bar that people are trying to clear. [↩]
- Or at least felt like they were… [↩]
And of course I still have no access to anything because the concom can’t handle people having Discord emails separate to their Worldcon registration emails, which… c’mon, guys. Surely someone there has a thirteen-year-old with a Fortcraft: Minenite server who can teach you how to do this. I even raised a support ticket about it and they… changed my Worldcon registration email to my Discord email and still didn’t give me access to the freakin’ Discord.
And of course panels are solely being broadcast via Zoom, which… can we just not? I mean literally do not use this platform. Not to get too topical but it’s like the computer science equivalent of going to a packed movie theater with no mask because it’s “just more convenient.”2
So yeah no Worldcon for me, I guess. I paid how many hundreds of dollars for this?
- And of course Lovecraft won Best Series for the Cthulhu Mythos, although the 2020 Retro Hugos are for 1945, which was after Lovecraft’s death, and most of the work being doing to actually make the mythos The Mythos—as opposed to just “Some Shit One Guy Wrote”—at that time was being done by August Derleth. [↩]
- Like… is it, though? Is it? [↩]
Hey y’all remember how I was editing that anthology of monsters? Yeah. That’s still A Thing That Is Happening, and we just announced the table of contents (i.e. the authors and their stories) and it is gonna be so good…
So apparently the original English translation for R.U.R. is, and it’s kinda… fascinating to see what has and hasn’t changed in the whole “robot uprising” sci-fi genre.
The play also contains what is possibly the Most Relatable Woman-in-STEM conversation ever seen on stage:
Long-but-interesting look at the, specifically their Original Flavor Tolkien coding as being pretty specifically referencing western European fears and stereotypes of the Mongols and other west/central Asian nomadic peoples.
Also, as someone who is of literal Caucasian descent, i.e. my ancestors came from the Caucasus Mountains, I am always here for even the tiniest bit of deconstruction of how the term “Caucasian” still gets used as a term for “white people” when the people of the literal Caucasus are, at best, “provisionally” white—as is is the case of my own ancestors, who are largely ethnic slavs who’ve really only been considered “white”, both legally and socially,1 within at-most my parents’ lifetimes—and, mostly, not “white” at all.