So those of you who’re CSFG members or Kickstarter backers will’ve seen this last week, but as it’s now opened to the public: Lyss and I answer a bunch of questions about the Unnatural Order anthology. Including some Hot Tips for those of you thinking of submitting a story!
We’re also down to the last week for our Kickstarter, and though we’re funded it would be awesome to be able to hit our first stretch goal (and an increased payment for our contributing authors). We still have plenty of awesome rewards like pins, art, and even the last few tentaplushies so… grab them now or never!
So last weekend was GAMMA.CON, and for my sins I ended up manning the CSFG‘s booth through most of Saturday. We had a shared table with Conflux and it was, uh. An experience. Part of it was possibly the placement; we were up in the back corner near all the sword and prop manufacturers, when we’d probably have been more suited to being in the author’s alley segment. And part of it was straight-up lack of planning; our notification was very, uh. Short. So it was definitely a last-minute scramble to organize things to actually put on the table. We did okay—anthologies were sold, tentaplushies were squeezed—mostly thanks to the arrival of Kaaron Warren, who’s much better at this sort of thing than yours truly.
The dragon on her hoard. The horror in its void. The word-spanning AI. The demon reaping souls. Too often fiction portrays the non-human as Other; as a threat to be destroyed, to be conquered… or to be “saved”, assimilated back into the teeming throngs of humanity.
Not this time. This time, it’s the non-humans’ turn. What is life like, to be imperfect. To observe humanity from without? What does it mean to be seen as horrific, to be rejected… and to overcome that? Or embrace it? To embrace it or reject it? And what does our love of these stories tell us can we, as human readers, learn from that about ourselves?
Unnatural Order is an anthology for strange days and grotesque beauty, as the monstrous seeps out from the dark, and makes the light its own.
Sounds awesome? OF COURSE IT DOES! Monsters, man! Monsters! I can’t believe someone gave me and Lyss the opportunity to make an entire goddamn short story anthology of monsters.
Oh, and did I mention we’re looking to launch this at next year’s WorldCon? Because we totally are.
Because that’s a super-tight timeframe, submissions are open, like. Now. Until October. Next month we’ll also be launching a Kickstarter, managed by Rivqa, who you may remember from the totally awesome, multi-award-winning Mother of Invention anthology. The base project is funding (i.e. there’ll be something at the end), but the Kickstarter is for things like paying authors more, commissioning interior art,2 and actually paying the people we’ve currently got volunteering on services like copyediting and layout. For you guys, however, the Kickstarter is a way to, a) pre-order copies of the final anthology, including an exclusive hardback edition, and b) get sweet, sweet monster-related merch. So… definitely keep an eyestalk out.
And, finally, to celebrate: Liesmith will be free on Amazon for the next week. So… monsters! Eee!
What’s this? A mascot for a (semi) secret new project? Ooh…
Also: yes! I actually inked something! And then cell-shaded it! I, like, never do either of those things but… this turned out okay? There are a few spots I’m not happy with and might revisit eventually before [SPOILERS REDACTED] but, other than that… whee! Crab-robot person! Their name is Ai! Because lawlz obvious jokes.
So as mentioned previously, last Wednesday I was on a panel at our local SFF writer’s group, talking about author platforms along with co-panellists Elizabeth Fitzgerald and Chris Andrews. It wasn’t a super-formal panel, and I didn’t take notes, but I’m sure some of the discussion will be of interest to some people, so I’ve done my best to recap the salient points below…
I’ve been a member of the CSFG for a few years now, and they’re all lovely people and an excellent resource for Canberra-based speculative fiction writers. Membership is $30 a year (or $20 for concession holders), but if you’re not sure if the group is for you, you’re more than welcome to come along to an initial meeting to check it out.
For whatever reason, winter always seems to be my busy season for Author Appearances™, and this year is no different.
Panel assignments for Continuum have been handed out, so those of you who’re in the area will be able to listen to me ramble at:
- Out in the Open.
Fan fiction used to be hidden away, subject to takedown notices, and sometimes kept secret from friends and family. Now there are successful mainstream novels about fic writers and readers, and some creators allow writers to earn money from their work. Is this legitimisation or exploitation? What has been gained and what’s been lost in the process?(Sunday 10th June @ 4pm)
Continuum is always a lot of fun, and this year is looking to be especially awesome, with some amazing panels (and panelists) lined up. If you’re able to make it down to (or, alternately, live in) Melbourne over the Queen’s Birthday long weekend you should absolutely grab some tickets and go along.
While it’s still a little way away, I’ll also be assisting in a panel on Author Platforms for the CSFG June member’s meeting (20th June). We did one of these two years ago, and it seemed to go down pretty well, so it’ll be interesting to see what has and hasn’t changed in the intervening time (spoiler alert: the social media landscape is very different in this our post-CA/-GDPR world).
The meeting is open to all CSFG members, and if you’re in the area (i.e. Canberra) it’s absolutely worth joining up.
And, finally, to round off a busy authorial month: I’m taking a week off! By which I mean, “I’m taking a week off Day Job to try and finish up the dragon book, which got halfway done last year then put on hold for space demons.” So, yanno. A working holiday.
In other words: it’s gonna be a busy month.